Yuken Teruya
- 1973
- Born in Shimajiri-gun Haebaru-cho, Okinawa, Japan
EDUCATION
- 2001
- MFA, School of Visual Arts, NY
- 1999
- Post Baccalaureate, Maryland Institute College of Art, MD
- 1996
- BFA, Tama Art University, Tokyo, Japan
AWARDS
- 2007
- Painters and Sculptors Grant Program Award, Joan Mitchell Foundation, NY
- 2006
- Artist in Residence Award, Art Scope DaimlerChrysler Japan, Japan
- 2005
- NYFA fellowship - Lily Auchincloss Fellow
- 2000
- Vision of Contemporary Artists, Tokyo Japan
- Emerging Artist Award, The Aldrich Museum of Contemporary Arts, CT
- 2001
- Skowhegan School of Painting and Sculpture Fellowship, Skowhegan, ME
Selected SOLO EXHIBITIONS
- 2007
- Yuken Teruya, Murata&Friend Gallery, Berlin, Germany
- Free Fish >–:_ The Art of Yuken Teruya, Asia Society, NY
- Yuken Teruya and 3D News, Shoshanawayne Gallery, Santa Monica, CA
- 2006
- Straight Flavor – Yuken Teruya, Hiroshima City Museum of Contemporary Art
- Teruya Yuken- Waterbone Islands, Asahi Art Festival, Sumida River Side Gallery, Tokyo
- 2005
- Yuken Teruya, Shana Wayne Gallery, Santa Monica, CA
- Yuken Teruya, josee bienvenu Gallery, New York, NY
- Yuken Teruya, Kunstverein Wiesbaden, Frankfurt, Germany
- 2004
- Diverse Works Art Space, Houston, TX
- Voges and Partner Gallery, Frankfurt, Germany
- 2003
- Murata and Friends Gallery, Berlin, Germany
- lizabeth Leach Gallery, Portland, OR
- 2002
- Shoshanawayne Gallery, Santa Monica, CA
- K.S. Art, New York, NY
- The Aldrich Museum of Contemporary Arts, Ridgefield, CT
- 1995
- Anne Gallery, Saitama, Japan
Selected GROUP EXHIBITONS
- 2008
- Landscape: Lu-Lu-Lu , Shizuoka Prefectural Museum, Shizuoka, Japan
- Okinawa Montaged, The National Museum of Modern Art, Tokyo, Japan
- Drawn in the clouds: Contemporary Asian Arts, Museum of Contemporary Art Kiasma, Helsinki, Finland
- It's Getting Hot in Here, Akus Gallery at Eastern Connecticut State University, Willimantic, CT
- Art Scope 2007/2008, Berlin, Germany
- Second Lives, Museum of Arts & Design, New York, NY
- Wall Rockets, The FLAG Art Foundation, New York, NY
- Into the Atomic Sunshine, Daikanyama Hillside Forum, Tokyo, Japan
- Transformed, Contemporary Art Center of Virginia, VA
- Art Scope 2007/2008, Hara Museum, Tokyo, Japan
- When Lives Become Form: Dialogue with the Future? Brazil, JapanMuseum of Modern Art, San Paulo, Brazil
- It's Getting Hot in Here, Montserrat College of Art Museum, New Beverly, MA
- Into the Atomic Sunshine, Puffin Room, New York, NY
- 2007
- Milk Crown and Mushroom Cloud, David Castillo Gallery, Miami, Florida
- Attention to Detail, The Art FLAG Foundation, New York, NY
- Trends of Okinawan Culture 1872-2007, Okinawa Prefectural Art Museum, Okinawa, Japan
- Making a Home, Japan Society, New York
- Serendipitous-Tangents, Gallery FACTORY Seoul, Korea
- Un/Fair Trade – Die Kunst der Gerechtigkeit, Neue Galerie Graz, Graz
- Super PHAT, School of Visual Arts Gallery, New York
- Views of Water: From Monet and Taikan to the Present, Yokohama Art Museum, Yokohama
- Theermocline of Art-New Asian Waves, ZKM Center for Art and Media Karlsruhe, Karlsruhe, Germany
- The Shapes of Space, Guggenheim Museum, New York,
- Arte Povera Now and Then: Perspectives for a New Guerrilla Art, Esso Gallery, New York, NY
- 2006
- Asian Pacific Triennial, Queensland Art Gallery, Brisbane, Australia
- Crafty, MassArt, Boston, MA
- Global, Westport Arts Gallery, Westport, CT
- Workshop by “Toyota: Children meet Artists in Okinawa” Hospital, University of the Ryukyu Okinawa
- Gardens, Toyota Municipal Art Museum, Aich, Japan
- Rapt!, Object Galley, Sydney, Australia
- Rapt!, Gertrude Contemporary Art Space, Melbourne, Australia
- Bangladesh Biennale, Dhaka, Bangladesh
- 2005
- The Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York, NY
- Anyang Public Art Project, Anyang, Korea
- Yokohama 2005: International Triennale of Contemporary Art, Yokohama, Japan
- Art Center Seattle, Washington, Luckman Fine Arts Complex LA, Los Angels, CA
- Knock, Gallery Sowaka, Kyoto, Japan
- Greater New York, P.S.1, Contemporary Art Center, Brooklyn, NY
- Material Matter, Cornell University, NY
- Which way the tomorrow is? Ota Fine Arts, Tokyo, Japan
- 2004
- So Weit Japan , Kunstallianz Berlin, Berlin Germany
- Beginning Here:101 Ways,Visual Arts Gallery, School of Visual Arts, New York, NY
- Initial Encounters, Arts Center of the Capital Region, Troy, NY
- Knots ‘n’ Structure, Gallery Evan, NY
- Dessins et des autres, Galerie Anne De Villepoix, Paris, France
- Dessins et des autres, Galerie Catherine, Brussels, Belgium
- Intense Focus, Elizabeth Leach Gallery, OR
- Drawing Outloud, HDC Gallery, NY
- Newpaper, Cristinerose/Joseebienvenu Gallery, New York, NY
- A Stereoscopic Vision, Dumbo Arts Center, Brooklyn, NY
- Simply Drawn, Luxe Gallery, NY
- Fuchu Biennale, Fuchu Art Museum, Tokyo, Japan
- Refrain; Korean, Balkan, Okinawa, Total Museum of Contemporary Arts, Seoul, Korea
- 2003
- You-I You-I, Murata & Friends, Berlin, Germany
- Slab, University Gallery, Illinois State University, IL
- Hello Franklin, Im n Il Gallery, NY
- Internal Excess,The Drawing Center, New York, NY
- Okinawan Contemporary Art, Naha City Gallery, Okinawa, Japan
- White Meat & Sunlite 2003, Wiensowski und Habord, Berlin, Germany
- The Broken Mirror,LeRoy Neiman Center Gallery, Columbia University, New York, NY
- Midnight’s Children, Columbia University, NY
- Selections Fall 2003, The Drawing Paper, NY
- Better Homes and Gardens, Pennsylvania State University, PA
- Group Show, Vogas + Partner, Frankfurt, Germany
- Too Fresh, Nurture Art Gallery and Emerging Curator’s Resource Center, NY
- Knots in Structure, Gallery Evan, NY
- TERRARIUM, Bronx River Art Center, NY
- Schnipseljagd - paper chase, Muellerdechiara, Berlin, Germany
- 2002
- VOCA:Vision of Contemporary Artists, Ueno Royal Museum, Tokyo, Japan
- Model World, The Aldrich Museum of Contemporary Arts, Ridgefield, CT
- Art on Paper, Weatherspoon Art Museum, NC
- Paper Cut, Islip Art Museum, East Islip, NY
- Before and After, The Asian Art Initiative, Philadelphia, PA
- 2001
- Humble, curated by Gerald McCarthy, Gallery Korea, New York, NY
- Plant Life, curated by patrick Callery K.S. Art, New York, NY
- Signature, Paper-bag and Self-Portrait, Curated by Mihee Ahn, Im n Il Gallery, Brookyn, NY
- Young horses, Curated by Andy Cannon, The Jam Factory, London, England
- Hot Lunch, School of Visual Arts Soho Gallery, New York, NY
- Interior Landscapes, curated by Susan White and Marcia Godosky, Henry Street Settlement Abrons Art Gallery, New York, NY
- I Love 01, curated by Yuken Teruya, Yasaibatake, Okinawa, Japan
- Settlement Abrons Art Gallery, New York, NY
- Retro Future Present, Magnifik Gallery, Brooklyn, NY
- Bienaore, Maejima Art Center, Okinawa, Japan
- 2000
- A- Mail, Hofer Galeriehaus, Hof, Germany
- MFA Special Exhibition,School of Visual Arts Soho Gallery, New York, NY
- 1997
- Peace Message, Tokyo Bigsite, Tokyo, Japan
- 1996
- On Camp Off Base, Tokyo Bigsite, Tokyo, Japan
- 1995
- CHURA, Okinawa City Gallery, Okinawa, Japan
PUBLIC COLLECTION
- Guggenheim Museum, New York
- The Museum of Modern Art, New York
- Daiichi Seimei Museum, Tokyo, Japan
- Seattle Art Museum, Seattle, Washington
-
- Twigg Smith Collection, Hawaii
- Hoffman Collection, Berlin, Germany
-
- Altoids Collection, New Museum, New York
- Norton Collection, New York
- Charles Saatchi Collection, London, England
- Sakima Art Museum, Okinawa, Japan
- Okinawa Prefectural Art Museum, Okinawa, Japan
Selected BIBLIOGRAPHY
- 2007
- Rosenberg, Karen, Willingly or Unwillingly, Calling New York Their Home, The New York Times, November 9, 2007
- Art Listings, The New York Times, September 14, 2007
- Art, The New York Times, August 31, 2007
- Art in Review; MICROWAVE FIVE, The New York Times, August 24, 2007
- Talbot, Emily, Yuken Teruya, Time Out New York, March 15, 2007 - March 21, 2007
- 2006
- Cotter, Holland, Art in Review; E7, The New York Times, September 15, 2006
- Genocchio, Benjamin, ART REVIEW; Tristate Talent Search Hits a High Note, The New York Times, August 6,2006
- Bischoff, Dan, Exhibit Could Inspire Joyce Kilmer, The Star-Ledger, May 5
- 2005
- Egan, Maura The Remix; The Paper Boy, The New York Times, December 4, 2005
- Genocchio, Benjamin, ART REVIEW; One Layer Leads To Another Layer, The New York Times, November 6, 2005
- Esplund, Lance, This is New York, But Only Part of It, The Sun New York, March 17
- Scott, Andrea, Local Heros, Time Out New York, March 31 – April 7
- Andrews, Betsy, Getting Ourselves Back to the Garden, Gay City News, April 28- May 4
- Westcott, James, Greater New York 2005 Yuken Teruya: A Tree Grows in a Shopping Bag, Art Fairs International
- Abbe, Mary, Curiously Fun Eclecticism, Star Tribune, June 17
- Kimmelman, Michael, Youth and the Market, The New York Times, March 15,2005
- 2004
- Mathonnet, Philippe, Art | Basel, Bouquet D’images à Fleur D’émotions, Le Temps, June 19
- Coulson, Amanda, Yuken Teruya, Art on Paper, November/December
- Klaasmeyer, Kelly, Teruya’s Bag, Houston Press, November 25
- Roeske, Sharon, Diverseworks: Yuken Teruya, Notice Forest, Arts Houston, December
- 2003
- Johnson, Ken, ART REVIEW; Redefinitions of Drawing Go to the Wall (and Off It), The New York Times, September 12, 2003
- Harrison, Helen, ART REVIEWS; Recycling Paper: Not Just Good for the Environment, The New York Times, January 5, 2003
- 2002
- Onaga, Naoki, Yuken Teruya, VOCA
- Uehara, Kou, Yuken Teruya, Okinawa Times
- Zimmer, Willliam ART; From Now and From Then, Art That's Both New and Novel, The New York Times, October 20, 2002
- Smith, Roberta, ARBORETUM, New York Times, May 18
- 2001
- Currah, Mark, Young Horses, Time Out London
- Kalm, James, RetroFururePresent at Magnifik, NY Art Magazine, April
- Shimabukuro, Hiroshi, Young Artists from NY, OCS
- 2000
- Eggers, Dave, Top Ten, Art Forum, April, p58
- Sziegoliet, Von Ralf, A-Mail aus New York: Am Anfang war Hof
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